Search results for "musical training"
showing 8 items of 8 documents
Musical training predicts cerebello-hippocampal coupling during music listening.
2018
Cerebello-hippocampal interactions occur during accurate spatiotemporal prediction of movements. In the context of music listening, differences in cerebello-hippocampal functional connectivity may result from differences in predictive listening accuracy. Using functional MRI, we studied differences in this network between 18 musicians and 18 nonmusicians while they listened to music. Musicians possess a predictive listening advantage over nonmusicians, facilitated by strengthened coupling between produced and heard sounds through lifelong musical experience. Thus, we hypothesized that musicians would exhibit greater functional connectivity than nonmusicians as a marker of accurate online pr…
Action in Perception: Prominent Visuo-Motor Functional Symmetry in Musicians during Music Listening.
2015
Musical training leads to sensory and motor neuroplastic changes in the human brain. Motivated by findings on enlarged corpus callosum in musicians and asymmetric somatomotor representation in string players, we investigated the relationship between musical training, callosal anatomy, and interhemispheric functional symmetry during music listening. Functional symmetry was increased in musicians compared to nonmusicians, and in keyboardists compared to string players. This increased functional symmetry was prominent in visual and motor brain networks. Callosal size did not significantly differ between groups except for the posterior callosum in musicians compared to nonmusicians. We conclude…
Interaction features for prediction of perceptual segmentation:Effects of musicianship and experimental task
2016
As music unfolds in time, structure is recognised and understood by listeners, regardless of their level of musical expertise. A number of studies have found spectral and tonal changes to quite successfully model boundaries between structural sections. However, the effects of musical expertise and experimental task on computational modelling of structure are not yet well understood. These issues need to be addressed to better understand how listeners perceive the structure of music and to improve automatic segmentation algorithms. In this study, computational prediction of segmentation by listeners was investigated for six musical stimuli via a real-time task and an annotation (non real-tim…
Modelling and prediction of perceptual segmentation
2017
While listening to music, we somehow make sense of a multiplicity of auditory events; for example, in popular music we are often able to recognize whether the current section is a verse or a chorus, and to identify the boundaries between these segments. This organization occurs at multiple levels, since we can discern motifs, phrases, sections and other groupings. In this work, we understand segment boundaries as instants of significant change. Several studies on music perception and cognition have strived to understand what types of changes are associated with perceptual structure. However, effects of musical training, possible differences between real-time and non real-time segmentation, and…
Effects of musicianship and experimental task on perceptual segmentation
2015
The perceptual structure of music is a fundamental issue in music psychology that can be systematically addressed via computational models. This study estimated the contribution of spectral, rhythmic and tonal descriptors for prediction of perceptual segmentation across stimuli. In a real-time task, 18 musicians and 18 non-musicians indicated perceived instants of significant change for six ongoing musical stimuli. In a second task, 18 musicians parsed the same stimuli using audio editing software to provide non-real-time segmentation annotations. We built computational models based on a non-linear fuzzy integration of basic and interaction descriptors of local musical novelty. We found tha…
Connectivity Patterns During Music Listening: Evidence for Action-Based Processing in Musicians
2017
Musical expertise is visible both in the morphology and functionality of the brain. Recent research indicates that functional integration between multi-sensory, somato-motor, default-mode (DMN), and salience (SN) networks of the brain differentiates musicians from non-musicians during resting state. Here, we aimed at determining whether brain networks differentially exchange information in musicians as opposed to non-musicians during naturalistic music listening. Whole-brain graph-theory analyses were performed on participants' fMRI responses. Group-level differences revealed that musicians' primary hubs comprised cerebral and cerebellar sensorimotor regions whereas non-musicians' dominant …
Brain integrative function driven by musical training during real-world music listening
2017
The present research investigated differences in the brain dynamics of continuous, real-world music listening between listeners with and without professional musical training, using functional magnetic resonance imaging (fMRI). A replication study was aimed at validating the reliability of the naturalistic approach to studying brain responses to music, wherein the brain signal and the acoustic information extracted from the musical stimulus were correlated. After a successful replication, a series of three studies dealt with differences in integrative brain function during music listening between musicians and nonmusicians. Findings (a) emphasized the crucial role of the distinctive postura…
The Relationship between Auditory Imagery and Musical Synchronization Abilities in Musicians
2009
Musical ensemble performance requires precise action coordination. To maintain synchrony in the presence of expressive tempo variations, musicians presumably anticipate the sounds that will be produced by their co-performers and coordinate their own anticipated actions with these predictions. Anticipatory auditory images in pitch and time may facilitate such predictions. Two experiments were conducted to examine the contribution of different aspects of auditory imagery abilities to sensorimotor synchronization (SMS) in musicians. In Experiment 1, the acuity of single-tone pitch images was measured by an adjustment method and by adaptive threshold estimation. Different types of finger tappin…